His death was confirmed by Abubakar Yakubu, President of the Actors Guild of Nigeria. “Yes, it is true. He died yesterday. He slept and did not wake up,” Yakubu stated.

Akiyesi’s body has been deposited in a morgue in Abuja. His wife attempted to wake him around 4 a.m. but he did not respond.

Before his death, Akiyesi complained of chest pain and had been diagnosed with an ulcer. His daughter reported his health issues prior to this tragic event.

Akiyesi was known for roles in over 100 films, including notable titles like ‘Heart of a Saint’ and ‘Desperate Ladies.’ He began his Nollywood career in the late 1990s, becoming a prominent figure in the film industry.

Colleagues have expressed shock at his passing, sharing heartfelt tributes on social media platforms. Many remember him for his contributions to Nollywood and his dedication to acting.

Yet, further details surrounding the circumstances of Akiyesi’s death are still awaited from his family. Observers are eager for more information about this unexpected loss.

The post Solomon Akiyesi’s Death Shocks Nollywood Community appeared first on Toprecruitment.

The recent nominations for the Africa Magic Viewers Choice Awards (AMVCA) have raised questions about the selection process, particularly regarding the absence of Lilian Afegbai from the list. Despite her significant role as Idia in the film ‘To Kill A Monkey’, she was notably snubbed in the 2026 AMVCA nominations.

In contrast, Bimbo Akintola received a nomination for Best Lead Actress, highlighting the competitive nature of the awards. The AMVCA is known for celebrating achievements in the African film and television industry, and this year’s nominations have sparked discussions among fans and industry professionals alike.

Lilian Afegbai has publicly expressed her feelings about the snub, stating that her character Idia was the most trending character in ‘To Kill A Monkey’. She emphasized that her performance was outstanding, which she believes should have warranted recognition.

Despite the disappointment, Afegbai has maintained a positive outlook. She remarked, “I always choose to believe everything happens for a reason,” indicating her belief in the importance of resilience and personal validation beyond awards.

In a candid moment, she stated, “You guys can eat your award,” reflecting her perspective on the significance of recognition versus personal achievement. This sentiment resonates with many artists who feel that their work speaks for itself.

The 12th edition of the AMVCA nominees was recently unveiled, and the reactions have been mixed. While some celebrate the nominations, others question the criteria used for selection, particularly in light of Afegbai’s popular role.

As the awards ceremony approaches, the industry will be watching closely to see how these discussions evolve. The AMVCA continues to be a pivotal event in the African entertainment calendar, and the outcomes can influence future projects and careers.

Details remain unconfirmed regarding any potential changes to the nomination process or how the AMVCA committee addresses the concerns raised by artists like Afegbai.

As the date of the awards approaches, fans and industry insiders alike are eager to see how these dynamics will play out and what impact they may have on the future of the AMVCA.

The post Africa Magic Viewers Choice Awards: Lilian Afegbai Snubbed Despite Popular Role appeared first on Toprecruitment.

On March 29, 2026, the premiere of ‘The Return of Arinzo’ took place at the Balmoral Event Centre in Lagos, attracting several prominent figures in the Nigerian film industry. Among the attendees were Mercy Aigbe, Funke Akindele, Toyin Abraham, Iyabo Ojo, and Femi Adebayo.

As the event unfolded, a notable incident occurred when Toyin Abraham approached Funke Akindele to greet her. However, Akindele did not acknowledge the greeting, which sparked immediate attention among the attendees. Mercy Aigbe and Iyabo Ojo, who were seated at the same table as Akindele, did acknowledge Toyin’s greeting, highlighting the tension in the atmosphere.

The incident quickly gained traction on social media, with users expressing mixed reactions. Videos from the event showcased the uncomfortable dynamics between the actresses, particularly the stares exchanged between Funke Akindele and Mercy Aigbe.

Funke Akindele, who has previously advocated for unity within Nollywood, had called for collaboration rather than competition in the industry. “We all need to come out to support Nollywood. We are all one. There’s no competition, it’s called collaboration,” she stated at a prior event.

Despite the public nature of the incident, neither Funke Akindele nor Toyin Abraham has addressed the situation directly. This silence has left fans and observers speculating about the underlying issues between the actresses.

Femi Adebayo, who was also present, exchanged pleasantries with both Funke Akindele and Mercy Aigbe on stage, further emphasizing the contrasting interactions occurring at the event.

The premiere of ‘The Return of Arinzo’ was meant to be a celebration of film and collaboration, yet the incident overshadowed the festivities, leading to discussions about the relationships within Nollywood.

As the situation develops, the implications of this incident may affect future collaborations and interactions among these prominent figures in the industry. Social media users have raised questions about the state of friendships in Nollywood, with one commenting, “How can you have two best friends and both are not on talking terms?”

Overall, the premiere highlighted the complexities of relationships within the Nigerian film industry, showcasing how personal dynamics can influence public events.

Details remain unconfirmed regarding the reasons behind the tensions, leaving fans eager for more information.

The post Mercy Aigbe at the Premiere of ‘The Return of Arinzo’ appeared first on Toprecruitment.

The rumored tension between Funke Akindele and Toyin Abraham has persisted for years. Both actresses are prominent figures in Nollywood, and their successful film franchises have often led to comparisons between them.

On March 29, 2026, at the premiere of Iyabo Ojo’s film, The Return of Arinzo, an incident occurred that has since gone viral on social media. Funke Akindele appeared to ignore Toyin Abraham, who attempted to greet her while kneeling but was met with silence.

This moment has sparked renewed discussions about the relationship between the two actresses. Despite the ongoing speculation about rivalry, Toyin Abraham has previously praised Funke Akindele, stating, “Aunty Funke.”

Funke Akindele has publicly called for collaboration over rivalry in the Nigerian film industry, emphasizing the need for unity among actors. She stated, “We all need to come out to support Nollywood. We are all one. There’s no competition, it’s called collaboration.” This statement contrasts sharply with the recent incident, leading fans to question the authenticity of such sentiments.

Fans have long speculated about a rivalry between the two actresses, especially after both released films around the same time in 2021, which fueled comparisons. The video of the recent incident has elicited mixed reactions from fans, with some expressing disappointment over the apparent snub.

As observers analyze the situation, it remains to be seen how this incident will affect the public perception of both actresses and their careers moving forward. Details remain unconfirmed.

The post Funke Akindele Snubs Toyin Abraham at Movie Premiere appeared first on Toprecruitment.

On March 25, 2026, the Nigerian film industry mourned the loss of Bukky Mountain, a prominent figure known for her significant contributions to the Yoruba film sector. Her passing came as a shock to many, particularly as it followed closely on the heels of other notable losses in Nollywood, including Allwell Ademola, who died on December 27, 2025, due to heart-related complications, and Aunty Ajara, who passed away just two months prior in early 2026.

Bukky Mountain had been battling ongoing health complications leading up to her death, a situation that reflects a broader issue within the industry. The lack of formal support structures for veteran actors facing health challenges has become increasingly apparent, as many rely on crowdfunding campaigns to cover life-saving treatments. This reliance is seen as a stopgap measure rather than a sustainable solution for an industry that generates billions.

Following her death, Bukky Mountain was interred on the same day, adhering to Islamic funeral rites that require swift burial, typically within 24 hours. This practice starkly contrasts with the often elaborate funeral customs observed in Nigeria, highlighting the cultural significance of the rites performed. The speed with which these rites were conducted serves as a poignant reminder of the inevitability of life’s end.

The phrase “It is well” has resonated among fans and colleagues alike in response to Bukky Mountain’s passing, encapsulating the collective grief felt across the industry. Her death is part of a troubling trend of premature losses among Nollywood veterans, with three significant figures lost in less than four months. This sequence of events raises concerns about the health and well-being of those who have dedicated their lives to the art of filmmaking.

In the wake of Bukky Mountain’s death, misinformation regarding her identity circulated, further complicating the narrative surrounding her legacy. Such occurrences underscore the challenges faced by the digital consumption of entertainment news, which often outpaces the journalistic standards necessary to report on human tragedy accurately.

As the industry reflects on these losses, it becomes increasingly clear that the need for comprehensive support systems for aging actors is urgent. The current state of Nollywood, marked by these significant losses, calls for a reevaluation of how the industry cares for its veterans. The absence of such structures not only affects the individuals involved but also impacts the cultural fabric of Nigerian cinema.

As fans and colleagues remember Bukky Mountain, her contributions to the Yoruba film industry will not be forgotten. The legacy she leaves behind serves as a reminder of the importance of supporting those who have shaped the landscape of Nollywood. The industry must come together to address the challenges faced by its veterans, ensuring that future generations can thrive in a more supportive environment.

The post Bukky Mountain: A Legacy Remembered appeared first on Toprecruitment.

Seyitan Adeyemi and Faith Duke are two notable actresses in Nollywood, each carving out their own paths in the film industry. Seyitan, whose father, Gbenga Adeyemi, served as the team lead coordinator for the Nigerian team at the 2013 Paralympics, has always had a passion for acting. She states, “I have always wanted to act,” which reflects her commitment to her craft.

In recent years, Seyitan has expressed her belief that Nollywood has experienced exponential growth, providing more opportunities for actors and filmmakers alike. She is currently working on a project titled “Unraveled,” which is expected to showcase her talents further. Seyitan is also an advocate for gender equality in the industry, asserting, “Women deserve equal pay, full stop.” This statement highlights the ongoing challenges women face in achieving parity in pay and recognition.

On the other hand, Faith Duke’s journey into acting began as a means to occupy her time while awaiting her pharmaceutical license. She has since made a name for herself, particularly with her film “Capture My Heart,” which addresses the critical issue of domestic violence. Faith faced a significant challenge during the filming of “Love Potion,” where she temporarily lost her sight due to excessive crying, showcasing the emotional toll that acting can take.

Faith, who started her YouTube channel in 2023, emphasizes the importance of maintaining control over her projects by choosing to fund them herself. She believes that this approach allows her to express her creative vision without external pressures. Reflecting on her journey, she remarked, “I chose to move by faith, not by sight, and it has paid off,” indicating her resilience and determination.

Both actresses have demonstrated a commitment to their craft and a desire to address important social issues through their work. Seyitan’s favorite movie to shoot, “Heart and Soul,” and Faith’s focus on domestic violence in her films illustrate their dedication to meaningful storytelling. Their experiences highlight the diverse challenges and triumphs faced by women in the film industry.

The current state of Nollywood is one of growth and opportunity, with actresses like Seyitan and Faith leading the charge for change. Their stories resonate not only within the industry but also with audiences who seek representation and authenticity in film. As they continue to pursue their careers, they pave the way for future generations of female filmmakers and actors.

In summary, Seyitan Adeyemi and Faith Duke exemplify the evolving landscape of Nollywood, where talent and determination can lead to significant achievements. Their journeys reflect a broader narrative of empowerment and resilience among women in the film industry, underscoring the importance of their contributions to society.

The post Punchng.com: Nollywood Actresses: Seyitan Adeyemi and Faith Duke’s Journey appeared first on Toprecruitment.

“There’s only one actor that I always shake for. If she acts, I rethink my career… Bimbo Akintola. She’s deep,” stated Funke Akindele during her Creative Blueprint 2.0 masterclass in Lagos. This remark underscores the profound impact that Akintola has had on her peers in the Nigerian film industry.

Bimbo Akintola has been active in Nollywood since the mid-1990s, establishing a reputation for delivering emotionally grounded performances across both English and Yoruba language productions. Her notable roles in films such as ‘Owo Blow,’ ‘Out of Bounds,’ ‘Diamond Ring,’ ’93 Days,’ and ‘The Black Book’ have solidified her status as a talented actress.

Funke Akindele, who began her acting career in the late 1990s with the television series ‘I Need to Know,’ gained widespread recognition with the 2008 film ‘Jenifa.’ Over the years, she has produced several successful projects, including ‘Omo Ghetto: The Saga,’ ‘A Tribe Called Judah,’ and ‘Behind The Scenes.’

During the masterclass, Akindele’s praise for Akintola highlighted the latter’s ability to evoke deep emotions and challenge the norms of acting. “If she acts, I rethink my career. Abimbola Akintola… she’s deep,” Akindele reiterated, emphasizing the respect she holds for Akintola’s craft.

Akintola herself shared insights into her acting process, stating, “For me, getting into the character is understanding the character and knowing who the character is, and everything I need to know is in the script.” This approach has contributed to her success and the authenticity of her performances.

The acknowledgment from Akindele reflects a broader recognition within Nollywood of Akintola’s contributions to the industry. As both actresses continue to shape the landscape of Nigerian cinema, their mutual respect and admiration highlight the collaborative spirit that exists among artists.

As the industry evolves, the influence of established talents like Bimbo Akintola remains significant, inspiring new generations of actors and filmmakers. The next expected developments in her career will likely continue to draw attention from both fans and industry insiders alike.

Details remain unconfirmed regarding any upcoming projects for Akintola, but her legacy in Nollywood is firmly established, and her performances are anticipated by audiences.

The post Bimbo Akintola: A Talented Force in Nollywood appeared first on Toprecruitment.

Omoni Oboli, a prominent actress and award-winning filmmaker, recently praised Nigerian filmmakers for their resilience in the face of numerous challenges in film production. In her Instagram post, she highlighted the dedication required to continue creating films despite tight budgets and economic hardships.

Oboli noted, “To every filmmaker still creating in Nollywood right now, take a bow. The sleepless nights, the budgets that don’t stretch, the risks no one talks about, the faith it takes to keep going. Cinema, streaming, YouTube, wherever your film lives, it counts. It matters.” This statement underscores the commitment and passion that filmmakers bring to their craft.

Filmmaking in Nigeria is characterized by significant challenges, including financial constraints and the need for unwavering belief in one’s work. Oboli emphasized that success in this field requires more than just talent; it demands resilience, belief, and heart. She stated, “Because it takes more than talent, it takes resilience, belief, and heart. And that is what Nollywood is built on.”

She also celebrated those who continue to create despite the economic difficulties, saying, “If you’re still making films in Nollywood in this economy… you’re doing something powerful.” This acknowledgment serves as a motivational message to filmmakers navigating the tough landscape of the industry.

Oboli further remarked that filmmakers are key contributors to the growth of Nollywood, which has become a significant cultural force in Nigeria and beyond. She pointed out that various platforms, whether traditional cinema or digital streaming, serve the same purpose in filmmaking.

“Different platforms, same passion. Different paths, same purpose. I see you. I celebrate you,” she added, reinforcing the idea that all forms of filmmaking are valuable and impactful.

As the Nigerian film industry continues to evolve, the resilience and creativity of its filmmakers remain crucial. Observers are keen to see how these artists will adapt and thrive in an ever-changing economic landscape. Details remain unconfirmed regarding any specific initiatives or support systems that may be put in place to assist filmmakers further.

The post Omoni Oboli Praises Resilience of Nigerian Filmmakers appeared first on Toprecruitment.

Aremu Afolayan, a prominent Nollywood actor, has faced significant backlash following his comments made at an EKO57 campaign gathering on March 19, 2026. In a surprising turn of events, Afolayan not only apologized for his remarks but also endorsed President Bola Tinubu for re-election in the upcoming 2027 general election. This endorsement has raised eyebrows, especially given the context of his earlier statements regarding the political climate in Nigeria.

During the EKO57 event, Afolayan downplayed the concerns surrounding the rising cost of living, claiming that he was not personally affected. He also described reports of insurgency as exaggerated and scripted, which sparked outrage across social media platforms. Many Nigerians took to the internet to express their discontent, accusing him of being out of touch with the realities faced by ordinary citizens.

In his apology, Afolayan stated, “I’m sorry. The curse has been too much, and I didn’t offend anyone but just went wrong. I picked what I shouldn’t have picked.” His comments about insurgency, which he referred to as scripted, have been particularly contentious, leading to a wave of criticism from various quarters.

Despite the backlash, Afolayan acknowledged the seriousness of insecurity in Nigeria, stating, “My heart is heavy because I’ve hurt a lot of Nigerians. The second narration concerns insecurity, and it’s obvious that insecurity is in town and everywhere in Nigeria, and the government isn’t doing anything about it.” He highlighted the personal impact of insecurity, mentioning that his best friend’s mother had been kidnapped, thus underscoring the gravity of the situation.

In light of the backlash, Afolayan announced his withdrawal from partisan political activities, expressing that he was at his lowest stage due to the negative reactions he received. He stated, “Due to this heat and curse I have received, I’m saying I’m at my lowest stage… I’m withdrawing from everything to do with politics and standing with my people. Please forgive me.” This withdrawal indicates a significant shift in his engagement with the political landscape.

Afolayan’s attendance at the EKO57 event was reportedly not politically motivated but rather based on local governance accessibility. However, his endorsement of Bola Tinubu has complicated his position, leading many to question his sincerity and commitment to addressing the pressing issues facing Nigeria.

As the political landscape continues to evolve, the implications of Afolayan’s statements and actions remain to be seen. His apology and endorsement may influence public perception of the upcoming elections, but uncertainties linger regarding the broader impact on his career and public image. Details remain unconfirmed.

The post Aremu Afolayan Issues Apology and Endorses Bola Tinubu appeared first on Toprecruitment.

On March 11, 2026, renowned filmmaker Kunle Afolayan disclosed the significant financial challenges he is facing due to soaring diesel prices, which are critically affecting his operations at KAP Film Village.

Afolayan spends approximately N11 million on diesel every four to five weeks to power his film production facility, which heavily relies on diesel-powered generators despite having a solar power system. The price of diesel has surged from around N995 or N1000 per liter to over N1,500 per liter.

Expressing his distress, Afolayan stated, “I have been sad because I can’t cope with the N1,500 per litre of diesel.” This increase in fuel costs is not only a personal challenge for Afolayan but also poses a broader threat to the sustainability of film production in Nigeria.

Due to the financial strain, Afolayan has been purchasing diesel on credit, which has led to a cycle of debt. He noted, “It’s not sustainable because even the diesel we have been buying was on credit and when we make small money we find a way to pay, and sometimes it takes two months to pay and then get another one on credit.”

In light of these difficulties, Afolayan has called for public assistance to upgrade his solar power system, stating, “We need a loan to upgrade our solar power. So if you can come to our aid, I will really appreciate it.” This plea highlights the urgent need for support as rising fuel costs continue to challenge filmmakers in Nigeria.

The surge in fuel prices is gradually driving up the cost of filmmaking in Nigeria, making it increasingly difficult for producers to maintain their operations. Afolayan’s situation reflects a growing concern within the industry about the sustainability of film production amidst fluctuating fuel prices.

As the situation develops, the film community and stakeholders are watching closely, hoping for solutions that can alleviate the financial burdens faced by filmmakers like Afolayan. Details remain unconfirmed regarding potential government interventions or support measures to address these rising costs.

The post Kunle afolayan faces rising diesel costs impacting film production appeared first on Toprecruitment.