On March 11, 2026, renowned filmmaker Kunle Afolayan disclosed the significant financial challenges he is facing due to soaring diesel prices, which are critically affecting his operations at KAP Film Village.

Afolayan spends approximately N11 million on diesel every four to five weeks to power his film production facility, which heavily relies on diesel-powered generators despite having a solar power system. The price of diesel has surged from around N995 or N1000 per liter to over N1,500 per liter.

Expressing his distress, Afolayan stated, “I have been sad because I can’t cope with the N1,500 per litre of diesel.” This increase in fuel costs is not only a personal challenge for Afolayan but also poses a broader threat to the sustainability of film production in Nigeria.

Due to the financial strain, Afolayan has been purchasing diesel on credit, which has led to a cycle of debt. He noted, “It’s not sustainable because even the diesel we have been buying was on credit and when we make small money we find a way to pay, and sometimes it takes two months to pay and then get another one on credit.”

In light of these difficulties, Afolayan has called for public assistance to upgrade his solar power system, stating, “We need a loan to upgrade our solar power. So if you can come to our aid, I will really appreciate it.” This plea highlights the urgent need for support as rising fuel costs continue to challenge filmmakers in Nigeria.

The surge in fuel prices is gradually driving up the cost of filmmaking in Nigeria, making it increasingly difficult for producers to maintain their operations. Afolayan’s situation reflects a growing concern within the industry about the sustainability of film production amidst fluctuating fuel prices.

As the situation develops, the film community and stakeholders are watching closely, hoping for solutions that can alleviate the financial burdens faced by filmmakers like Afolayan. Details remain unconfirmed regarding potential government interventions or support measures to address these rising costs.

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Kunle Afolayan, a prominent figure in Nollywood, has recently expressed his distress over the soaring diesel prices that are significantly affecting his film production operations at KAP Film Village. As of March 11, 2026, Afolayan revealed that he spends about N11 million on diesel every four to five weeks to keep his production facility running.

The price of diesel has surged from approximately N995 or N1000 to more than N1,500 per liter, creating a financial strain on Afolayan’s operations. “I have been sad because I can’t cope with the N1,500 per litre of diesel,” he stated, highlighting the challenges faced by filmmakers in Nigeria amid rising fuel costs.

Afolayan’s film production facility relies heavily on diesel-powered generators, despite having a solar power system in place. The current situation has forced him to buy diesel on credit, leading to unsustainable financial practices. “It’s not sustainable because even the diesel we have been buying was on credit and when we make small money we find a way to pay, and sometimes it takes two months to pay and then get another one on credit,” he explained.

The rising fuel costs are not just a personal concern for Afolayan; they reflect a broader issue affecting the sustainability of film production in Nigeria. As filmmakers grapple with these challenges, Afolayan has called for public assistance to upgrade his solar power system, which could help alleviate some of the financial burdens associated with diesel reliance.

“We need a loan to upgrade our solar power. So if you can come to our aid, I will really appreciate it,” he appealed, emphasizing the urgent need for support to ensure the continuity of his film production efforts.

The surge in fuel prices is gradually driving up the cost of filmmaking in Nigeria, making it increasingly difficult for producers to maintain their operations. As Afolayan navigates these challenges, the industry as a whole may need to adapt to the changing economic landscape.

Details remain unconfirmed regarding any potential assistance or solutions that may arise from Afolayan’s appeals. However, his situation underscores the pressing need for sustainable energy solutions within the film industry.

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